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Although he was a very proficient organist, Anton Bruckner left very few compositions for the organ.〔C. van Zwol, p. 676〕 〔C. Howie, Chapter II, p. 30〕 == Compositions == Only five pieces and two sketches are indubiously autograph compositions:〔(Frühe Orchesterwerke und Instrumentalstücke )〕 * ''Nachspiel'' (Postlude) in D minor, WAB 126, composed in . The manuscript with this and the following work is stored in the archive of the St. Florian Abbey: ''ドイツ語:Gesamtausgabe'', Band XII/6, No. 1〔〔C. Howie, Chapter II, p. 30〕 * ''Andante'' in D minor, WAB 130, composed also in : ''ドイツ語:Gesamtausgabe'', Band XII/6, No. 2〔〔 * ''Vorspiel und Fuge'' (Prelude and fugue) in C minor, WAB 131, composed on 15 March 1847. The incomplete manuscript, which is stored in the archive of the Seitenstetten Abbey, was first published in Band II/2, pp. 78-82 of the Göllerich/Auer biography. The incomplete score was completed by Franz Phillip in 1929: ''ドイツ語:Gesamtausgabe'', Band XII/6 No. 3〔C. van Zwol, p. 677〕〔 * ''Fuge'' in D minor, WAB 125, composed by Bruckner on 7 November 1861 for an examination, which he wanted to have in Vienna on 19 November 1861. The sketch is stored in the ''Österreichische Nationalbibliothek''. The final score is found in the ''ドイツ語:Kitzler-Studienbuch'': ''ドイツ語:Gesamtausgabe'', Band XII/6, No. 4.〔〔C. Howie, Chapter III, p. 120〕 * ''Präludium'' (''Perger Präludium'') in C major, WAB 129, composed in 1884. A sketch is stored in the archive of the Kremsmünster Abbey. The final score, which was given to Bruckner's pupil Otto Loidol, is put in the ''ドイツ語:Gesamtausgabe'', Band XII/6, No. 5.〔 * ''Improvisationskizze Ischl 1890'' (Themes for improvisation), WAB deest, sketched by Bruckner in July 1890 for organ playing during the wedding of Archduchess Marie Valerie of Austria with Archduke Franz Salvator in Bad Ischl on 30 July 1890. The sketch, which is stored in the ''Österreichische Nationalbibliothek'', is put in the ''ドイツ語:Gesamtausgabe'', Band XII/9, No. 6.〔 The sketch combines the finale of Symphony No. 1, which Bruckner was reviewing at that time, Händel's ''Hallelujah'' and the Kaiserhymne.〔U. Harten, p. 210〕 Erwin Horn recorded it in 1990: improvisation on the finale of Symphony No. 1, and in 2007: improvisation on the three themes as ''Kaiserliche Festmusik''.〔(Critical discography of the ''Improvisationsskizze Ischl 1890'', WAB deest )〕 * ''Adagio für Orgel'' (Adagio for organ), WAB deest, a sketch in B major, which was found in 1953 in a catalog of the ''ドイツ語:Musikautographen-Sammlung'' of Louis Koch. It is a first draft for the main theme of the Adagio of the Symphony No. 9: ''ドイツ語:Gesamtausgabe'', Band XII/6, No. 7〔〔U. Harten, p. 43〕 In addition: * Five short organ preludes in E-flat major, WAB 127 & 128, written in . Doubts have been cast on their authenticity. They are presumably copies of compositions by Johan Baptist Weiß or another organist: ''ドイツ語:Gesamtausgabe'', Band XII/6, No. 8 (Addendum).〔C. Howie, Chapter I: p. 12〕〔 A few other organ works found in Bruckner's ''Orgelbuch'' are presumably also transcriptions of works of Johann Baptist Weiß or other composers. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Organ works (Bruckner)」の詳細全文を読む スポンサード リンク
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